STREAM: Postcommodity's 'We Lost Half The Forest And The Rest Will Burn This Summer'

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Postcommodity is back with a snarling new album of decay, decomposition, and cyclical renewal.

Acclaimed Indigenous artist collective Postcommodity—Nathan Young, Kade Twist, Cristobal Martinez and Raven Chacon—return with their new album, We Lost Half The Forest And The Rest Will Burn This Summer, a darkly brilliant new album of noise and experimental sonics.

From the disintegration of its opening chord, We Lost Half The Forest lurches into a jarring and unrelenting movement toward some unknown destination or origin. The seeming soundtrack to an imminent decline, whether that of Western Civilization or a litany of other obliquely inferred societal ills—the rusting stench of rapacious global capitalism, the destructive, crushing force of the colonial machine—Postcommodity's virtuosic evisceration of the melodic comfort of the listener also makes space to suggest, however subtly, an inchoate sense of Indigenous presence, resurgent return.

There is the hum of something else amidst the chaos and destruction.

The 16-song concept album, the collective's third, was recorded at the Banff Centre for the Arts during a recent residency, and its contours mark not a linear trajectory of inevitable apocalyptic anxiety and decline but, instead, an imminent journey inward, and down—into and through—the land itself.

The album traces "the ever-cycling decay of a desert drought from the view of its flora and fauna", and We Lost Half the Forest makes audible the dirge and drama of a world crackling, humming, and burning. A world starved for water—gasping for air—spinning down "the only path" available to itself to reclaim some sense of disoriented direction.

Acoustically, as is their oblique aesthetic tendency, the group combines Western classical instruments and performers, with their own Southwestern-rasquache electronics, into a deceptive blend of sonic assault, quiet hums, and melodic passages. With contributions from Marc Sabat, Nico Dann, Cecilia Bercovich, Achiya Asher, Cohen Alloro, Aaron Bannerman, Dory Hayley and Ilana Dann, the collective swells and crashes through Godspeed You! Black Emperor levels of intensity, while recalibrating the terrain of Indigenous noise and melody.

As the blasting, searing sounds of "Chacoma" rise to a crescendo of dissonant trumpets, feedback, colossal bass drums, vibrating strings, struck piano, and the haunted wails of far-off voices, the "end" the album evokes seems to eclipse the possibility of its own arrival. The swirling burn of "Dia Del Cabrón" cascades into caterwauling, recursive feedback loops, while in later tracks like, "Dios Nunca Muere", the feedback has ebbed and faded, and all that is left is the undulation of frequencies set adrift. Winding back and worth, the album marches and warbles on, as though the sound of weather-worn metallic leaves were clawing back to life in the abated breath of a passing storm.

Postcommodity are masters of both the severe and the serene.

Their music, an art of calculated counterpoint, stages an elemental clash of forces that spins through clouds of anticipated violence, but refuses the finality of obliteration. To listen to this album is to become immersed within it, to be grasped by its ravenous, tentacular clutches, to be pulled deeper into a desertification of the mind.

Postcommodity walks with you—or perhaps they just walk you—solitary, blindfolded, out into an unknown landscape's dry, raw heat, until only the rhythms of parched plants can be heard. Until even those collapse and burn, while the ululating shape of the land's breath grows ever louder in your ears. Until your own heartbeat thrums wildly in your chest. Until, at the end, when the blindfold is removed, you look wildly about for a horizon that you know has grown only into a deepening darkness, the sound of the ground above you, enclosing, enfolding everything.

PREMIERE: Postcommodity, "Chacoma"

DOWNLOAD: Postcommodity's We Lost Half The Forest And The Rest Will Burn This Summer

Postcommodity's We Lost Half The Forest And The Rest Will Burn This Summer is available in a limited run of 200 vinyl copies, with jacket printed and embossed with ash. Naturally. For more information visit postcommodity.com

Raven Chacon, Laura Ortman, and the Discotays Perform at One Flaming Arrow Festival

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The One Flaming Arrow Festival of Indigenous art, music, and performance blazes on.

Kicking off last week in Portland, Oregon, the inaugural One Flaming Arrow Festival is bringing an incredible array of contemporary Indigenous art, music, readings, film screenings, panels, performances, and concerts to the Indigenous lands of the Chinook/Multnomah peoples.

The brainchild of Demian DinéYazhi, Kaila Farrell-Smith (both of R.I.S.E.), and Carlee Smith, One Flaming Arrow launched a successful crowdfunding campaign this winter to bring together radical Indigenous voices from across Native america for a 12-day celebration of contemporary Indigenous arts.

The festival features a stellar lineup that includes:

  • Bat Vomit
  • Natalie Ball
  • Dylan Miner
  • Melanie Fey
  • Sky Hopinka
  • Shilo George
  • Jeff Ferguson
  • Laura Ortman
  • The Discotays
  • Brittany Britton
  • Raven Chacon
  • Katrina Benally
  • Amanda Ranth
  • Miranda Crystal
  • Almas Fronterizas
  • "Drunktown's Finest"
  • Burial Ground Sound
  • Grace Rosario Perkins w/Amberlee Cotchay
  • Melissa Bennett w/Elizabeth LaPensée & Allie Vasquez

In between the low-rider bike workshops, storytelling sessions, art installations, poetry performances, and an Indigenous Futurisms film night curated by Grace Dillon, the festival is also showcasing some of the finest in Indigenous music culture.

On Tuesday, June 9th, Diné experimental/noise musician Raven Chacon (of Postcommodity), White Mountain Apache violinist Laura Ortman, and the Diné electro-queerpostpunk duo Discotays will throw down at the Holocene. Event info is below.

The One Flaming Arrow Festival continues through June 14th. Check the festival program for the full schedule of events.

One Flaming Arrow offers stark and powerful evidence of the Indigenous artists at the forefront of the contemporary creative arts. May this year be the first of many to come.

Listen to an OPB radio interview on the One Flaming Arrow Festival

 

JUNE 9th: Laura Ortman & Raven Chacon Performance and the Discotays at the Holocene!

9:30pm-11:30pm Holocene: 1001 SE Morrison, Portland 97214 Join us on June 9th, 2015 at the Holocene in Portland, Oregon for Raven Chacon & Laura Ortman + Discotays. We have the honor of showcasing two award-winning multi-instrumentalists, Indigenous composers Raven Chacon & Laura Ortman along with the musical styling of Discotrays.

Tickets available here

DISCOTAYS (Diné) are a music duo from Navajo Nation, comprised of artists Hansen Ashley & Brad Charles. Their music has been adored by the likes of Kathleen Hanna and can be described as post-punk electro & queerpostpunk / queerpostsurf / queernowave.

Laura Ortman (White Mountain Apache) has performed with Stars Like Fleas, the Dust Dive & Silver Summit, & composes music for art installations & films in the form of the Dust Dive Flash. She plays violin, Apache violin, piano, electric guitar, musical saw & samplers. Ortman has created music for films by Martha Colburn & Indigenous filmmakers Blackhorse Lowe, Alan Michelson, & Raquel Chapa, among others.

Raven Chacon (Diné/Chicano) is a chamber music composer & experimental noise artist. Chacon is a member of the Indigenous art collective, Postcommodity, with whom he has developed multi-media installations that have been exhibited internationally. Both his solo work & his work with Postcommodity has been presented at the Sydney Bienale, Kennedy Center, Adelaide International, Vancouver Art Gallery, Musée d’ art Contemporain de Montréal, The San Francisco Electronic Music Festival, Chaco Canyon, & Performance Today. Tickets are $8 in advance & $10 at the door. 21 and over.

Watch Raven Chacon, Live at End Tymes in New York City

VIDEO: Postcommodity's Futuristic Music

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Postcommodity is an interdisciplinary artist collective comprised of Kade L. Twist (Cherokee), Cristóbal Martínez (Mexica), Raven Chacon (Navajo), and Nathan Young (Pawnee, Kiowa). They have been working together as a collective since 2007.

All of the members of the group are musicians and have created work outside the collective:

Nathan Young has his solo project called Alms. Kade L. Twist is in a noise/drone band Usga based out of Phoenix, AZ. Raven Chacon has worked as a composer and performer in the West Coast and Southwest music scenes for the last dozen years.

Raven's work is primarily as a solo noise artist and chamber composer. He also co-founded the organization First Nations Composers Initiative  and has also performed in dozens of bands. Raven currently has collaborations with musicians William Fowler Collins, Deerhoof's John Dieterich, and pianist Thollem McDonas.

RPM speaks with Postcommodity about coming together as a collective to create sound art and perform experimental noise for audiences and what drives their work.  Interview and performance recorded at Museum of Contemporary Arts.

Postcommodity will have an installation piece at the upcoming ImagineNative 2011 and will also be doing a piece this winter for Toronto's Scotiabank Nuit Blanche.

Look for the new EP of Postcommodity on Anarchamoon Recordings called Your New Age Dream Contains More Blood Than You Imagine. Raven Chacon's label can be found at Sicksicksickdistro.

 

DOWNLOAD: Postcommodity - Excerpt from "Piles of Cougar Pelts"

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Postcommodity is an interdisciplinary artist collective comprised of Kade L. Twist (Cherokee), Cristóbal Martínez (Mexica), Nathan Young (Pawnee, Kiowa) and Raven Chacon (Navajo).

This group of musicians have been on the scene since 2007, joining forces to make sound art, experimental noise and installationworks.

Look for RPM's interview with the collective tomorrow, but for now here's a snippet of one of their live performances from summer 2011.

DOWNLOAD: Postcommodity- Excerpt from "Piles of Cougar Pelts"

DOWNLOAD: Ghostkeeper - "Don't Come Knocking"

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While Chartattack wondered if their music could be called "back porch freak roots?", the Globe & Mail delightfully hit the nail on the head in describing Ghostkeeper's unique sound as "what might have happened if Captain Beefheart had spent a year or two in the further reaches of northern Alberta."  The group's original duo of Shane Ghostkeeper and Sarah Houle did grow up in that northern Albertan landscape, in High Level and Paddle Prairie Métis Settlement, though the band is now Calgary-based. Their work is raw, eclectic, noisy-pop where just when you think you've got the song figured, it will surprise you with a sudden turn keeping you both on your toes and tapping them. Download: Ghostkeeper -  "Don't Come Knocking"